phunklarique s edit is groove based, same as his amazing piemont works. strong bass and again with his incredible sense for shuffles and drumming in general while pierce concentrates on minimal house grooves reminding us of sebo k. or buttrich productions with 11 minutes playtime and an intense 3 minutes hammond break

you is a throbbing, hulking monster of a track, a dark and distinctive foray into sound thats already being championed by sander kleinenberg & pete tong. layering strobing, resonating bass with flickering hi hats and insistant synths, the track hurtles out of the speakers with spacey fx and that unsettling, disembodied voice proclaiming you like an other worldly call to arms! german dance legend tom novy heeds that call with a mighty remix, injecting a hip shaking bassline and shaking up the components of the track, amping the sonic intensity to the max & reinventing you in his inimitable style!

one of the biggest house tracks ever... limited repress

limited one sided 12inch!! huuge stanton warriors mix!!!

classic prodigy album! repress on double vinyl.

there s a sense of paradox in love & beyond. it s jay haze s most defining album to date, but also, his most unexpected, in both music and form

supported by anthony collins, jesse rose, italoboyz, 2000 and one, tom clark, karotte, sebo k and many more.. the three course feast is prepared. mathias mesteño aka matt vega, the newcomer in our upon you cafeteria has prepared three delicious dishes a la casa. the main course: a1 dixie’s diner- delicate plate of house with glazed rave-bells on thickened bass-marinade, that proves to stimulate the metabolism of the hypnosis-center. similarly nutritious and stimulating are his steaks and chops, that in dialogue with curled jumpers-noodles force wriggle-phillip to the table. the dessert will be served immediately while standing: waffles- with punshed alcohol sauce on a perforated tripneedle

the skull returns to kindisch with four impeccably sultry and leftfield dancefloor cuts. >must have back< is silky, chicaning mix of ice-cool male vocals and slick, vacuum-packed percussion that will prove devastating to discerning dancefloors, while >lalalala< is a raw, spaced-out house jam that serves up spry, bouncy congas, wobbly bass and clipped hi-hat patterns with no small amount of dubby echo and delay. >forever ever< is a wonderfully trippy slice of minimal techno, a heady bass and percussion workout haunted by the blue, smoky ghosts of jazz keys. be careful - you may well find yourself hypnotized forever ever.the mood is less abstract but no less intense or inviting for deep, reverb-laden closing track >lovesong<. an insistent kick-drum and mind-bending fx make this prime dancefloor material, but the mood of the track is more complex - wistful, pining, mindful of the past, expectant of the future - a lovesong through and through.

played by: richie hawtin, dj hell, dubfire, monika kruse, onur Özer, gabriel ananda, karotte, italoboyz, dominik eulberg, gregor tresher , chris liebing, d. ramirez, sebastian leger etc... the follow up to >elements 1of 2< starts with >wind<, a strong epic old school monster of an acid track, with a cool chicago flavour, reminiscent of lil louis, with cool ups and downs, that have set the dance floors on fire around the world. >earth< the flipside track is a stripped down mover, quite drugged out and shivering in itself, having a much stronger new school touch to it. it is as bass heavy as we have experienced with all of the releases of butch

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

conforming to abnormality unveiled a style of extreme metal that was completely unique in its makeup: blending mind melting guitar technicality with inhuman drumming, a wildly schizophrenic vocal attack, smatterings of jazz sensibilities and devastating sub bass blasts.

for his second collaboration with dj yellow (poussez records, ovum…) dj nabalistik presents us with 101 runin, a fantastic 3 tracker. 101 runnin has a superb dark, trippy feel to it while q moods remixes from nabalistik is the pick though, the stuttring pad and bass make it big dancefloor killer

nice price deal !!! atmospheric breaks number, with catchy male vocals!!! flip for a drum & bass remix by agent alvin!! dont miss this!!

minipops are phoebe grote and fabian feyerabendt who have already released an ep under the moniker trial & error on allyoucanbeat imprint. >knick< is a straight forward, stoic wobble bass track, where as knack mixes melodious acid with funky breakbeats

for this landmark fifty release from method, we are treated to a double tracker from label boss keith mcdonnell aka innate. fifty fifty is a slammin tuff progressove workout, with distorted chords & glitchy beats. on the flip beehive is a wiggly bass driven cut with a funky fat guitar drop...both tracks are perfect for today, but with a nod to the sound that launched method 50 releases ago!!!

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

nice price deal !!! four different interpretations of crazed computer funk!! bumps along like a heavier daft punk house track with a heavy dose of boogie in its blood... heavily supported by play paul,adam freeland, john digweed, greg churchill, ante perry,acii.disko, azzido da bass, beats international, dada life, moston, malente, mario rogowski, robosonic, disco boys, daniel dexter, danny bonnici, tapesh, timo di roy, tom wax, gus gus, xenia beliayeva and many more

one ep to make the south americans shake their booties... >rabouine house< lays heavy on the percussion, the bass, a hispanic guitar interlude and supports italian/turkish chanting vocals throughout. pure rhythm and groove. mikael stavostrand’s mix takes it slower and darker, working dubbed out percussion, >in and out< vocal clips and a slightly horizontal effect

loco dice / josh wink playlist - 2000 and one remix

canadian label hotbox digital brings us adam k and addys superb >sub-cultured<. this collaboration is one not to be missed, adam ks signature subby bass lines and minimal groove, cross addys exceptional technique and >sit-up and listen< attitude. this is certainly a tune to keep dancefloors heaving and bouncing throughout the night. on the flip, we have >whatever<, a solo effort from adam, a more twisted and less minimal record, making the perfect compliment to sub-cultured.

plot s 4th release, >casa acido<� (free translation for acid house), comes by the hands of 2 renowned finnish artists, zentex and jussy-peka! it s a great ep composed by 3 very solid tracks reaching out to very different emotions. in zentex original there is growing tension supported on a wobbly fat sexy bass. >lena<� is packed with emotion. a silent hiss and cruising episodic elements transport you to a very dynamic scenario. jussy-peka remix is anamazing dance floor track! hedefines it as a modern acid trance remix!

stunning breaks re edit of the beatles classic!!! includes mixes by a skillz, bass nectar and backstage sluts

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

funny a side!! the danish scene has evolved a lot over the last years, with acts like trentemøller, martinez and whomadewho. the new label tartelet records is rising from the horizon of the copenhagen club culture. tartelet records is founded by fredski (the man behind the greatest copenhagen parties ) and tomboy (aka tomas barfod, dj, producer and drummer of whomadewho, with previous releases on turbo, kitsuné , get physical and gomma). the two founders themselves are also behind this first tartelet release, which is a true showcase of what the label stands for: tech-house with multiple flavors like ghetto, funk, disco and a bit world. the a-side ‘do the tartelet’ is a schizophrenic yet effect full combination of sampled horn-madness, hand claps and techno bass. on the flip side ‘cereal’ sounds as if james holden and paul jonson were trying to make minimal house together. the future releases from tartelet promise remixes from world-league remixers (tba) and tracks by danish kleshmer-techno-reggae band analogik do the tartelet

two of italys finest young producers serve up a new dose of minimal class. andrea roma & alberto fracasso reform under their own names after the success of their guise >delv & debox<, this time bringing fresh influences of chillout and hints of techno to a proven formula. first track >duracell< has a warm minimal groove with all the beeps and bass notes to keep dance floors rolling. up next is aptly named, >energizer<. this track throws in dirty and gritty influences, and is the perfrect compliment to the minimal offering on side a. the icing on the cake comes in the form of >volta<, a twisted yet melodic thumping track.

deleta aka dj bazooka is the label boss of this new dubstep label catering to the darker, harder side of dubstep. bazooka is also behind berlins most ferocious and unapologetic drum n bass label aural carnage. with an almost vampiric hunger for the tastes of hip hop, ragga, jungle, metal, reggae, dub and graffiti deleta has spawned nothing but gut wrenching and unforgettable tracks

great remix package for threeminutes featuring grammy winning jazz vocal legend and last standing beatnick mark murphy on mic duty. madrid de los austrias deliver in fine style with a superb quirky house mix while the great prolific quantic adds some b boy minded dope jazz beats. dublex inc rework applies some fat electronic boogie beats and fake fellini rounds up this nice package with a bass heavy 4/4 take.

nice price deal !!! more dark, brooding, bass laden breaks form the transverse crew, if you like your breaks tough the white papoo has got you covered!

poussez is the electronic bastard child of london based producer, dj duo jafar and maxime cescau. established artists and record label directors in their own right?.. jafar of course popping up on a few of our previous releases. poussez brings the pair blasting through to house musics cutting edge in the 21st century. the pair are continuing to change the deep house formula in the zeroes marrying a more melodic sensibility with the abrasiveness of electro, darkness of minimal and dancefloor punch of techno. natural conditions is deeper than the proverbial abyss, >natural conditions< rocks a skankin square-bass around the sort of synths freeranges >square one< has become renowned for. 4am crowd grabbing deepness!on the flip, from its opening synths, deliciously washing over you like an incoming electronic tidal wave, >tell me how you do< grabs the listeners attention. it has that timeless mid 90s deep house feel without being outmoded and, for those paying attention, will be noted as poussezs trademark opening track on their live sets

viral breaks bring something different to the label in the form chaotic pulse?s >eternal night<. the a side is a techy dancefloor drum n bass killa. powerful bass driven drums and lashing snares are brought together with mutating synthetic bass, that will drive the dancing crew crazy. the aa sees the remix from phat riders

straight up bent techno. a fierce jacking groove with an outrageous sub-bass element and awesome live drumming. this one has echoes of funky industrial stuff like nitzer ebb but is 100% of the moment.

pumpin electrohouse anthem, already supported by switch, justice, pete tong, judge jules, junior sanchez and many more... uk release

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

get ready for the second part of the fresh-kicks series! at this time oscar gets support from the amazing blood & tears (remember >run with the bullet<)! furhter support comes from stephan bodzin, lars sommerrfeld, kolombo

big ep from this hot producer duo!! incl remixes by marc depulse & nils nilson.. further support comes from monoroom, denis karimani aka remute, solomun, helmut dubnitzky, mollono.bass, pawas, el farouki and daniel fx. typisch ostwind ! warm, deep und immer mit den nötigen druck, damit man nicht zum sesselfurzer wird.

killer modern house from depths of deep space. adam marshalls original mix takes swinging chicago drums and paints them a dark black, while chord stabs morph and evolve in a tough, organic style on this 11-minute journey. mike shannons impressive re-working tightens everything up and funks the hell out of the groove with sizzling dry hats, sub-bass ruminations, and one serious breakdown. one of his best remixes yet by far. both are serious club killers

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

after a short hiatus, stanton warriors punks imprint returns to the fore with a thumping double a side release featuring two remixes of tracks from their award winning debut album lost files. remix treatment by bass kleph and alex metric & sick rick (whatwhatwhat)!!!

house music to put a spring in yer step.. bloc rockin chunky beats, stomach churning bass and melodic hooky electronica make up the basis of the line ep. all of which make this a must have, for every djs box!!

electro monster treated by john dahlback and sidekick. fat bass lines & a massive break will do the trick for sure.

nice price deal !!! art bleek is a name thats been doing the rounds for a few years now. the paris based producer never fails to live up to expectations whether it be deep minimal housers, downtempo jazzed-out loungers, broken beat or straight up hip hop, versatility is the mans game. hes recorded for labels such as rush hour & loungin and now for sick trumpet he brings californian vocalist charlie sputnik along to make the french connection. first up is all night, a mid-tempo nu-jazz shuffler that glides between broken beat and house with a killa groove, walkin bass lines, vocal hooks and scats a plenty from mr sputnik. support already from domu with plays on his 1xtra show zed bias takes the track and turns it into a new jersey house bumper with that added biaspheric twist weve all come to expect - big ! on the flip we have brothers & sisters, an electronic influenced houser with a bassline bigger than the eiffel tower and slicker than platini. with charlie sputnik again on vocals he provides the perfect narrative & melody to this dancefloor smasher ! the dub mix of this is something else…..anyone for dubstep electonica ? check

pure hypnotic dope ! the 12inch opens with a blast of superlative dancefloor funk, >u can get sonar<. its immediately obvious that this track is the creation of someone who knows - as a fan, dj, record-seller and musician - what works on the dancefloor, what sounds good, and has endeavoured to make his record satisfy us on all counts. carried along by an unbelievably buoyant bassline, purring, deep house-style chords and crystalline percussion, the track climaxes in waves of synthesized strings. >upad aah< is a vivacious, skippy dancefloor track, its constituent bass and drum elements rounded and smoothed for maximum bounce, sharp, pressurized snares provide a glorious counterpoint, as quasi-tribal percussion, and airy african female vocals are layered over the top. the result is fresh, powerful and eminently danceable. >persuasion< is a deep, swinging club track. once again that warm bass is at the forefront, with clipped yet languid chords building melody around it as

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

first release on brandnew hardcore labels lso (leipe shit ouwe) records, founded by champ e on and skuffa. this release is already being played by buzz fuzz, bass d, dano...

electric minds present gatto fritto for their 3rd release. a talented musician and producer from north london, he has been steadily building a reputation through his releases on london based dissident. extending his repertoire further he brings another quality production to electric minds. the a side bursting the bubble is a nine minute jam with quirky sync samples, heavy bass and a change in direction half way through the track which is becoming a trade mark of gatto frittos productions. the b side radio b-92 did not make its place on the first electric minds release as planned, so they were delighted to have been able to include it here. it is a sync rich track taking inspiration from new yorks 80s electro scene, a perfect compliment to what is already a very strong 12inch release. house heads as well as the cosmic fans will appreciate both productions

this new metroline 3-tracker is a true piece of carefully selected art. the boys from rotterdam create a sound that combines the old with the new. detroit flavours meet up with darker, throbbing bass and mysterious melody! supported by patric skoog aka agaric, anderson noise, par grindvik and alexander koning..special backstock

the 4th release on the label sees whistla wearing his 2-step influences proud with 2 tracks of off kilter garage beats, heaven oozes swing and groove. the bass line bubbles around a twisted vocal line whipping any listener into a frenzy which will see them swiveling across any dancefloor, studio or bedroom

welcome to the deepest nightmare of pulshar, welcome to nospheratus territory. an unforgettable trip into the darkest side of the bands soul, inspired by the cult movie nospheratu, this is one of the greatest dub and melancholic tracks of the year. a trippy bass and envolving melodies for an instant bloody dub joy. rod modell and steven hitchell take the controls on the b side and produce one of their best reworks yet under their echospace alias. they have reduced the original track to a deep and emotional piece. a majestic cavalcade into dub techno, a composition full of rich textures which remind of a cloudy day in detroit city, accompanied by a subtle conga that kicks off from the middle of nowhere and turns out really smooth, deep & dark. a little different than the material from their album on modern love, more reduced into the deepchord sound, a little more scaled back